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Vishal Bhardwaj's adaptation of Shakespeare's Othello made headlines as each cast member came aboard, and none more perplexing than Kareena Kapoor as Desdemona.
Yet her Dolly Mishra was a stunning, perfect fit -- and not just because of her luminous, alabaster skin.
Kapoor was vulnerable and knee-weakeningly romantic, acted perfectly and has never looked more beautiful.

Like Amitabh Bachchan, Helen is one of those Bollywood icons you just shouldn't mess with.
And while Farhan Akhtar cast Shah Rukh Khan in Bachchan's role, he turned to Kapoor to fill Helen's dancing shoes.
It was a tall order but Kareena -- chosen by Akhtar because of her incapability to look vulgar -- shimmied the light fantastic pretty good.

As cinematic chatterboxes go, this Geet is Basanti-brand good.
Kapoor rattles off conversation with glorious rapidity in Imtiaz Ali's film, talk unspooling ceaselessly out of her without bothering about irritation.
Shahid Kapoor does well to play the sober one, while Kareena's Geet is song sung at ear-splitting volume. It might be frequently off-key, but it's hard not to get swept along by it

Indian actors and actresses prefer to leave everything to speculation, tabloids joyously pairing people up based on equal parts fact and hearsay.
Kapoor brought in a more mature media-acceptance, openly letting the media and public in on the fact that she and Shahid Kapoor were together, had broken up, and that she'd moved on to Saif Ali Khan -- who, in turn, got her name tattooed on his royal forearm.
The lack of subterfuge automatically makes her easier to respect than most of her contemporaries.

Indian women have always been all about the curves, but so dramatically did Kareena Kapoor slim down to wear a bikini in Tashan that her 'size zero' made newspaper headlines and the actress was left ducking accusations of anorexia.
The film flopped and several actresses have looked better in a bikini, but nobody quite caused the hoo-ha of that memorably skinny outing.